If we bury your ass up, we have a place to park my bike.

In Uncategorized on August 12, 2014 at 1:37 pm


What’s wrong with death sir? What are we so mortally afraid of? Why can’t we treat death with a certain amount of humanity and dignity, and decency, and God forbid, maybe even humor. -Patch Adams

What’s uncanny is, Robin Williams played so many roles requiring him to say poignant yet hilarious things about death.

Okay, let’s look at the logic. You create man. Man suffers enormous amounts of pain. Man dies. Maybe you should have had just a few more brainstorming sessions prior to creation. You rested on the seventh day. Maybe you should’ve spent that day on compassion. -Patch Adams

It’s difficult to believe Robin Williams is dead–no, I think it’s more unbelievable that he committed suicide. Because it’s difficult to reconcile his comedic, boisterous personality with that of someone depressed. Or maybe not. Maybe he’s already shown us how funny people can be sad people and sad people can be funny people and that depression is actually an abundant source of wry, self-deprecating humour. At the start of “Patch Adams”, Williams’ character checks himself into a mental health hospital – for the first part of that movie he’s depressed and depressive and depressing, but so funny.

Robin Williams is a different character to us all. My dad remembers him as the alien from the planet Ork, or as GOOOOOOOOD MORRRRRRNING VIETNAAAAAAM. My sister remembers him as the guy in What Dreams May Come and Mrs Doubtfire. To me, he was mostly Patch Adams, and maybe a bit of Mr Keating in the Dead Poets’ Society. Or maybe the eccentric scientist who invented Flubber and forgot to attend his own wedding. The first Robin Williams movie I watched was “Jack”, which was essentially about a schoolkid trapped in the hairy, wrinkled, stumpy middle-aged body of Robin Williams because he had a disease that made him age super fast.

Robin Williams stepped into the bodies of characters who were spunky, rebellious non-conformists. Characters too brilliant to be bothered by conventions, norms, rules and institutions. Rather, they saw individual gumption to be more important.

We don’t read and write poetry because it’s cute. We read and write poetry because we are members of the human race. And the human race is filled with passion. And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life. But poetry, beauty, romance, love, these are what we stay alive for. To quote from Whitman, “O me! O life!… of the questions of these recurring; of the endless trains of the faithless… of cities filled with the foolish; what good amid these, O me, O life?” Answer. That you are here – that life exists, and identity; that the powerful play goes on and you may contribute a verse. -Keating, Dead Poets’ Society

My childhood wasn’t exactly spent on the playground, which is why till this day I can’t fully comprehend the idea behind monkey bars. It sounds pretty gross but I grew up on a steady diet of TV and movies. That means my dad was bringing home Robin Williams DVDs all the time. Most of my childhood was spent watching those films and rewatching them so many times that I could repeat Robin Williams’ lines at the dinner table to annoy the hell out of everybody. Any non-conforming traits that my personality bears and which continue to piss people off is because of the heavy influence of Robin Williams’ films.

And I am pretty sure I am not the only kid whose identity was shaped by the spunk of Robin Williams’ characters. Therefore we must all be thankful that he truly made those characters real.

World is trouble. Man needs a little madness, or else he dare not cut the rope and be free. -Patch Adams





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